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LYNCROFT
410 TUCKS ROAD SHOREHAM, MORNINGTON PENINSULA SHIRE
LYNCROFT
410 TUCKS ROAD SHOREHAM, MORNINGTON PENINSULA SHIRE
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Victorian Heritage Register
LYNCROFT SOHE 2008
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Statement of Significance
Lyncroft was built in 1935 for the Hamilton family and designed by Roy Burnham Grounds during his association with Geoffrey Mewton from 1933 –37. Their work during this period took two main paths, one following the European Internationals and the other following the Bay Region or Shanty Style of West Coast American architect William Wurster. Lyncroft is a fine rural example of the American influence, and is one of a number of similar designs in this period by Mewton and Grounds and other architects that can be grouped together as having a common or idiomatic design approach.
The site is high on a ridge and surrounded by windbreaks of mature pine and cypress. The homestead is set in a simple rectangular garden defined by concrete block walls on two sides, and by terracing on the south east which allows fine views to Westernport Bay. The simple rectangular internal spaces are arranged in linear wings with informal combinations of gable and skillion roofs which relate to the functions within. The wings are arranged across the hilltop to take advantage of the aspect and environment. The planning also creates a variety of outdoor rooms which are further defined with terraces and verandahs or pergolas, and which address use at different times of day.
Lyncroft uses a limited palette of plain “as found” materials and finishes – concrete block made on site, weathered vertical boarding, corrugated iron roofing, bush pole verandah supports, and simple builders detailing. Ornament is reduced to a minimum. Within the generally modern design, Grounds saw no contradiction in adopting traditional forms such as gabled roofs and traditional elements such as French doors where they would work best. Similarly some of the openings in the masonry have segmental arched heads, and the corridor in one of the wings is subtly vaulted. Multi-paned windows with a Georgian flavour are used, but the windows are functionally arranged to frame valued views, create privacy and provide lighting and cross ventilation. Each of the main entries is given a unique personality through Mewton & Grounds signature stripe and zigzag patterning on the doors.
Lyncroft is of architectural significance to the State of Victoria.
Lyncroft is of architectural significance as a fine and unaltered example of a design approach in early modern architecture that was explored by a number of architects in Victoria and Australia in the early 1930s. Mewton and Grounds were the most prolific designers in this style in Victoria, with examples in both suburban and rural contexts. This work displays clearly the influence of the contemporary West Coast American designs of William Wurster. Lyncroft demonstrates this influence in its functional planning, picturesque massing, specific response to environment and client lifestyle, and use of simple materials and finishes. Lyncroft demonstrates that modernism In Victoria was not a monolithic expression of the International Style. Grounds' use of forms and detailing as expressed at Lyncroft later became widespread in housing in bush areas on the fringes of Melbourne, and his design approach was continued in the postwar period in the work of architects such as Alistair Knox.
Lyncroft is of architectural significance as a fine example of a particular direction in the early work of Roy Burnham Grounds, one of Victoria's most famous and influential architects. The type of work which Lyncroft represents stands in strong contrast to his later designs which were often larger in scale and were dominated by a preoccupation with geometry and structure.
The site is high on a ridge and surrounded by windbreaks of mature pine and cypress. The homestead is set in a simple rectangular garden defined by concrete block walls on two sides, and by terracing on the south east which allows fine views to Westernport Bay. The simple rectangular internal spaces are arranged in linear wings with informal combinations of gable and skillion roofs which relate to the functions within. The wings are arranged across the hilltop to take advantage of the aspect and environment. The planning also creates a variety of outdoor rooms which are further defined with terraces and verandahs or pergolas, and which address use at different times of day.
Lyncroft uses a limited palette of plain “as found” materials and finishes – concrete block made on site, weathered vertical boarding, corrugated iron roofing, bush pole verandah supports, and simple builders detailing. Ornament is reduced to a minimum. Within the generally modern design, Grounds saw no contradiction in adopting traditional forms such as gabled roofs and traditional elements such as French doors where they would work best. Similarly some of the openings in the masonry have segmental arched heads, and the corridor in one of the wings is subtly vaulted. Multi-paned windows with a Georgian flavour are used, but the windows are functionally arranged to frame valued views, create privacy and provide lighting and cross ventilation. Each of the main entries is given a unique personality through Mewton & Grounds signature stripe and zigzag patterning on the doors.
Lyncroft is of architectural significance to the State of Victoria.
Lyncroft is of architectural significance as a fine and unaltered example of a design approach in early modern architecture that was explored by a number of architects in Victoria and Australia in the early 1930s. Mewton and Grounds were the most prolific designers in this style in Victoria, with examples in both suburban and rural contexts. This work displays clearly the influence of the contemporary West Coast American designs of William Wurster. Lyncroft demonstrates this influence in its functional planning, picturesque massing, specific response to environment and client lifestyle, and use of simple materials and finishes. Lyncroft demonstrates that modernism In Victoria was not a monolithic expression of the International Style. Grounds' use of forms and detailing as expressed at Lyncroft later became widespread in housing in bush areas on the fringes of Melbourne, and his design approach was continued in the postwar period in the work of architects such as Alistair Knox.
Lyncroft is of architectural significance as a fine example of a particular direction in the early work of Roy Burnham Grounds, one of Victoria's most famous and influential architects. The type of work which Lyncroft represents stands in strong contrast to his later designs which were often larger in scale and were dominated by a preoccupation with geometry and structure.
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